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I think that your translations sounded good. Thank you. In italiano poui dire "voglio solo darmi un'idea del tuo progetto" o no? Thank you - I can learn so much from this website! RobertdiLondra said:. You little ripper! Senior Member Australia.


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Speaking of rough , I want to get a rough idea of Charles Costante said:. Speaking of rough. Comma22 New Member Padova.

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Everything in fact is changing, everything is looking for a new arrangement, we ourselves are trying to learn to live in a different way, and the world of art is not free from these mutations. Balances have changed, the gallery system in its more traditional sense is dying, museums in many cases have become futuristic containers of high architectural value but lacking contents; the Western world is yielding to the tigers, the lions and the dragons that are venturing beyond the forests of the South-Asian economical growth.

But there is nothing catastrophic in all this: The Reinassance has developed and flourished among wars and invasions of the Landsknechte, the intrigues of the papal curia and the sacks of Rome, and Baroque art had to face one of the fiercest plague epidemics but, notwithstanding all this, they were unique times. Perhaps every cloud has a silver lining. Futurists saw in war a regenerating action, and we could imagine the crisis as a point of departure to renovate ourselves. When in late May the new announcement of the 7th edition of Arte Laguna Prize was launched, if not openly, all of us working at it bated breath.

How would this edition be?

Would there be the usual response? Would the Prize be successful again, as one of the realities of higher interest for European and international art? All these questions, not publicly uttered, were tormenting everyone of us. Although from the organizational point of view we have tried to increase, develop, integrate and broaden many features of the Prize, widening its international scope, through new jurors, new realities and exhibiting opportunities, and new critical collaborations, the ghost of the crisis and of the.

There were many uncertainties, not because there were doubts about the quality of the Prize — which is the first and the main interest on which the organization focuses with perseverance — but rather, on the quality and constancy of the response. Arte Laguna Prize was conceived and meant as a tool serving artists, as a platform of meeting and cultural exchange revolving around the artists and the artworks, and it is artists themselves who, by choosing to participate, make all the organizational and critical decisions meaningful.

Our fears regarded the response of the artists who, in such a difficult moment, perhaphs frightened, could decide to back down and walk away both from the Prize and from the world of art more in general. This however has not happened, on the contrary there has been an increase and a progressive rise in the number and in the quality of the works submitted, there has been a response that reasserts how art, exactly at times of crisis, gives its best.

In these months many articles have been published about art at times of crisis, and what has emerged from all these writings is that art does not suffer from the crisis, but that it is rather a form of response and reaction, a dimension where vital and rebirth drives concentrate in a privileged manner. The exhibition of finalists of this year will be perhaps our personal Day After Tomorrow, our dawn of the day after, the point from where to start again, even if clearly nothing has stopped, but rather everything has kept on being alive and kicking, on germinating and growing, as nature does during the winter months, when it hides into an apparent sleep, carrier of life.

To conclude, I would like to thank all those who believe in this Prize, and who keep on believing in it, and most of all the artists who have been able to make every edition more and more exceptional through their work, and who have wanted to be part of this new and bright dawn. Thanks to all of you who believe in Art. Oltre opere video e performance. Una mole di proposte da ogni continente. Sotto una nuova luce. Over video works and performances.

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A mass of proposals from all the continents. A wide variety of poetics and aesthetics, often so different from one another, that a homogeneous and comparative evaluation is difficult. So we proceed by discontinuities, with the difficulty of identifying but would it be that necessary? Generational leaps, from which it is hard to perceive continuity. A collection from a magmatic and contradictory universe, remarkable for its diversity.

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Read PDF Le nuove famiglie (Farsi unidea) (Italian Edition)

Sometimes, among many relevant works, we find a surfacing of sketches of art attempts to which we should acknowledge courage or even recklessness, as well as anagrafically mature changes of pace looking for a new existential possibility. Read more. Check your booking confirmation email to find your booking number and PIN.

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